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- über mich
- disssid Pedals
- 1073 Boost
- 120B
- 3BOD
- 800RAiL
- 800RB
- Äquinoktium
- Acoustic 360 Preamp
- Alembic SF-2
- Alva - Tube Boost
- Animato
- Ashly SC-40
- Ashly SC-50
- B-15 v1
- B-15 v2
- B-15 Tube Preamp
- B-25B Tube Preamp
- BC1
- BMAX
- Broadcast
- Centurion
- Century v1
- Century v2
- Classic
- Classic T-90 Tube Preamp
- DC-30
- DR 103
- Dunwich Volt Thrower Clone
- Dunwich Olde Dirty Bass Clone
- EQP
- F-800 B
- F-800 B v2
- F-800 B v3
- F-800 B v4
- F800versions
- Fender Bassman 100 Preamp
- Fender Bassman 135 Preamp
- Fender Showman Preamp
- Fender TBP-1
- Filter
- Frisör
- High Pass Filter
- High/Low Pass Filter Blend
- HiLo Pass Filter
- HYPER drive
- Ingwer
- inPhase
- IXODES
- IVP
- M6 Pad
- Mesa Boogie M6 Preamp
- Mesa Boogie Bass 400 Preamp
- One Fifty
- One Thirty
- Orange
- Orange OR120 Tube Preamp
- Orange 4Stroke
- Orange 4Stroke LT
- Orange OB1
- Orange Pre
- Overdrive
- ParaEQ
- Peavey TB RAXX Preamp
- Peavey Standard MKIII Preamp
- Peavey Standard Series 260 Preamp
- Pearce BC-1
- ResoPre
- Rocket Bass Preamp
- Schaffer Solo Boost
- Schumann Lion Clone
- State Variable Filter SVF
- Sunn Beta Bass LT
- Sunn Beta Bass DLX
- Sunn Model JFET
- SVT
- SVT JFET
- ThAT Compressor
- Trafo - Intersound IVP
- Trace Elliot GP7 SMC
- Trace Elliot V-Type Preamp
- TransBoost
- TransBoost v2
- Traynor MonoBlock Pre
- Traynor TS-50B Preamp
- Traynor TS-60B Preamp
- Traynor TS-120B Preamp
- Traynor YBA 100 Preamp
- Traynor YBA-2A Preamp
- Troll
- VarioBoost
- Reviews
- Amps
- Aguilar DB 359
- Ampeg B-15T PortaFlex
- Ampeg B25B
- Ampeg BA-115 v2
- Ampeg B-1
- Ampeg PortaFlex PF-20T
- Ampeg PortaFlex PF-50T
- Ampeg SVT-3 Pro
- Ampeg SVT-4 Pro
- Ampeg V-4B
- Ashdown CTM15
- Ashdown CTM100
- Ashdown Little Bastard 30
- Ashdown CTM 30
- Ashdown CTM-30 Little Stubby
- Ashdown MiBass 220
- Bugera Veyron T
- Bugera Veyron M
- Bugera BT210TS
- Carvin B2000
- Carvin BX 250 Micro Bass
- EBS Classic 450
- EBS Classic T90
- Engl Rackhead 1030
- Engl Rackhead 1060
- Fender Bassmann300Pro
- Fender Bassman 500
- Fender Bassman 100T
- Fender Bassman 135
- Fender Studio Bass
- Fender Super Bassman
- Fender TB-600
- Gallien-Krueger 1200SEB
- Gallien-Krueger 200RCB
- Gallien-Krueger 200RB
- Gallien-Krueger 400RB
- Gallien-Krueger 400RB-IV
- Gallien-Krueger 700RB-II
- Gallien-Krueger 800RB
- Gallien-Krueger Legacy 800
- Gallien-Krueger MB150E-III
- Gallien-Krueger MB200
- Gallien-Krueger Fusion 550
- Gallien-Krueger Fusion S 800
- Genz Benz Streamliner 900
- HoTone Nano Legacy Thunder Bass
- Klemt Echolette BS40
- Markbass Classic 300
- Markbass Little Mark Ninja
- Marshall VBA400
- Mesa Boogie Bass 400+
- Mesa Boogie Prodigy Four:88
- Music Man BH500
- Music Man 100B
- Music Man 115B One Twenty
- Music Man 120B
- Music Man One Fifty
- Music Man Sixty Five
- Orange Crush Bass 50
- Orange OR120
- Orange 4 Stroke 300
- Peavey Century
- Peavey Century 120 Series
- Peavey F-800 B
- Quilter Bass Block 800
- Quilter Interbass
- Reussenzehn Bass Studio Amp
- Sunn 1200S
- Sunn Beta Bass
- SWR Amplite
- SWR Headlite
- TC Electronic BAM200
- Trace Elliot ELF
- Trace Elliot AH 250 GP12 SMX
- Trace Elliot AH 200 GP12 MKVI
- Trace Elliot V8
- Trace Elliot V6
- Trace Elliot V4
- Trace Elliot Twin Valve
- Trace Elliot Hexa Valve
- Traynor DB800H
- Traynor TS-50B
- Traynor YBA-100
- Traynor YBA200II
- Traynor YBA300
- Traynor YBA-3 CS
- Traynor YBA-4
- Yamaha B100-II
- Preamps
- Aguilar DB 659
- Alembic F-1X
- Ampeg SCR-DI
- Ampeg SVP BSP
- Ampeg SVP Pro
- Ampeg SVT-IIP
- Ampeg SVP CL
- Ampeg Classic Analog Preamp
- Ashdown RPM-1
- Ashly BP-41
- BBE 383
- BBE BMAX-T
- EBS Classic 1v2
- Eden WP-100 The Navigator
- Epifani Quest II
- Fender TBP-1
- Forge AXB Bass Preamp
- Gallien Krueger 2001 RBP
- Gallien Krueger PLEX
- Green Audio ME-1
- H&K Bassmaster
- H&K Fortress
- Lee Jackson Perfect Connection BP-1000
- Markbass Studio Preamp
- Pearce BC-1
- Peavey Alpha Bass
- Peavey Bassist
- Peavey Max Bass
- Peavey T.B. RAXX
- SWR Grand Prix
- SWR Interstellar Overdrive
- SWR Marcus Miller Preamp
- TC Electronic 1144 Bass Preamp
- Trace Elliot GP7 SM
- Trace Elliot Transit-B
- Trace Elliot V-Type Preamp
- Warwick WP 4-7
- Warwick Quadruplet
- Yamaha PB-1
- Bässe
- Effekte
- Boss GT-1B
- Brimstone XD-2
- Danelectro Cool Cat Chorus
- DarkGlass Hyper Luminal Compressor
- Darkglass Microtubes X
- Darkglass Microtubes X7
- Digitech Drop
- FEA Labs DB-CL Dual Band Compressor
- FEA Labs DBD Dual Band Distortion
- HoTone XTomp
- Keeley Compressor Pro
- Klark Teknik 76-KT
- Origin Effects Cali76-TX Kompressor
- MXR M87 Bass Compressor
- MXR Bass Chorus Deluxe
- TC Electronic NDY-1 Nova Dynamics
- T-Rex Sweeper Chorus
- Tech21 Bass Boost Chorus
- Darkglass B3K
- Swell B-Drive
- Wounded Paw Black Sheep
- FEA LAB Dual Band Distortion
- VONG by schalltechnik_04
- mini HP Vong by schalltechnik_04
- mini LP Vong by schalltechnik_04
- Zubehör
- Sonstiges
- Amps
Am Anfang meiner Equipment-Sammelwut wollte ich einfach nur herausfinden, welcher Rack-Preamp dem Sound eines Vollröhrenamp nahe kommt. Daher habe ich mich anfangs fast ausschließlich mit rackfähigen Bass-Preamps (vornehmlich Röhrenpreamps) beschäftigt.
Ampeg SCR-DI
Ampeg SVP BSP
Ampeg SVP Pro
Ampeg SVT-IIP
Ampeg SVP CL
Ashdown RPM-1
Ashly BP-41
BBE 383
BBE BMAX-T
EBS Classic 1v2
Eden WP-100
Fender TBP-1
Forge AXB Bass Tube Preamp
Hughes & Kettner BassMaster
Hughes & Kettner Fortress
Lee Jackson BP-1000
- Markbass Studio Preamp (demnächst)
- Peavey Bassist (demnächst)
- Peavey Alpha Bass (demnächst)
- Peavey Max Bass (demnächst)
SWR Grand Prix
SWR Interstellar Overdrive
Trace Elliot V-Type Preamp
Warwick Quadruplet
Warwick WP 4-7